Before DVDs, CDs, video tape, a lot of entertainment was provided by home film...8mm, super 8, 16mm film stock. The subject matter was wide: Stag films, classics, cartoons, news...and yes pornography. Joe Bonica was one of the players and there is nothing on the Internet about him. He did offer something called "Movie of the Month"...16mm black & white shorts [one reelers up to 400']. I had a few of these at one time including the two below. The second offering is a burlesque featurette of Amalia Aguilar a Cuban dancer and actress.
Joe Bonica's Movie of the Month
Joe Bonica's Movie of the Month
Wiki Realm Reviews [Paghat the Ratgirl]...
An absolutely stunning exotic dancer, Amalia Aguilar, stars in Afro Mood Burlesque (c.1947) distributed by the shortlived "movie of the month" subscription film club of Joe Bonica.
Though no director is noted, it is widely reported to have had Russ Meyer as cinematographer & defacto director, though I don't know that this is at all likely even though Meyer did begin his career photographing burlesque acts before heading on to bigger sexploitation projects with his name proudly attached.
The date of her two short-short dance films seem to be unknown, but she first appeared on film as an exotic dancer in 1946, & there's a good chance these two under-three-minute films were created for adults-only soundie exhibition in a panoram jukebox, which would date the films around 1947, when she was in the United States performing the burlesque circuit.
By 1949 she was developing a legitimate film career & getting to be a serious star in Carribean, Central, & South American countries, & less apt to have agreed to these short-shorts.
However, they found their way into the possession of Joe Bonica in the mid-1950s & were distributed as a single film for the home-projection market in 16 mm. One website claims these were made in Harlem in 1960, but that doesn't seem substantiated at all, & would more likely be on a Hollywood soundstage somewhere, when she was performing in a Los Angels niteclub.
She begins her dance performance in a "fallen" position on the floor & slowly rises to a Carribean beat, presenting a tray of tropical deli items. She then proceeds to perform a hot bellydance which is pretty fast moving. Halfway through the performance she gives an almost creepy cackle & bursts into an even swifter dance.
Amalia Aguilar appeared in a number of Spanish language musicals of the 1950s. She seems in the United States to have been categorized or even dismissed as "only" an exotic dancer as early as 1947 when she appeared in A Night in the Follies documenting a stage show at a Los Angeles burlesque house called the Follies Theater.
She would certainly have aroused customers who wanted to be aroused but really it's just a fine performance, & even if it is of the burlesque type, it is a high end example, derived from Cuban-Yoruba tradition.
It doesn't descend into a striptease, but more a throwback to jazz dance of the Harlem Renaissance. She could easily have danced at the Cotton Club with Duke Ellington during his "jungle" period or with Cab Calloway anytime at all.
The five minute film starring Amalia Aguilar is actually made up of a pair of two & a half minute films, the second being Rhumba Amalia (c1947). In panoram peepshows, after each two to three minute mini-film, the customer had to put in another coin to see the next two to three minute mini-film. There were on average seven films per loop.
Rhumba Amalia heightens the Exotica sense, rhumba mixed with the shimmy-shimmy-shakes and standard bellydance. At some points she rushes about at such speed that it becomes unintentionally comical, talented though she obviously is.
Paghat the Ratgirl's Film Reviews
Amalia Aguilar [Wikipedia]