Monday, April 25, 2011

Anders Celsius...the Swedish thermometer...Fahrenheit's scientific buddy

Anders Celsius
Novemebr 27th, 1701 to April 25th, 1744

Swedish astronomer, physicist and mathematician who is famous for the temperature scale he developed. Celsius was born in Uppsala where he succeeded his father as professor of astronomy in 1730. It was there also that he built Sweden's first observatory in 1741. He and his assistant Olof Hiortner discovered that aurora borealis influence compass needles. Celsius' fixed scale (often called centigrade scale) for measuring temperature defines zero degrees as the temperature at which water freezes, and 100 degrees as the temperature at which water boils. This scale, an inverted form of Celsius' original design, was adopted as the standard and is still used in almost all scientific work.

Anders Celsius [Wikipedia]

"Egyptological"...new website on ancient Egypt

Étienne Léopold Trouvelot and some fantastic lithographs


Bill Ashworth [UMKC Philosophy Department] wrote in his newsletter...

Etienne Trouvelot, a French artist turned American astronomer, died Apr. 22, 1895. Trouvelot came to the U.S. in 1850 and moved to Boston, where he was employed as a nature artist by Louis Agassiz at Harvard. In 1870, Trouvelot bought a small telescope and started drawing astronomical objects. His artwork came to the attention of the director of Harvard College Observatory, and Trouvelot was given access to the 15" refractor that Harvard had acquired from Germany. In 1876, a collection of Trouvelot's lithographs were published in the Annals of the Observatory. Five years later, Trouvelot published much larger versions of these lithographs, which are quite the collector's item. ... Trouvelot then returned to France as (amazingly, since he had no professional qualifications) astronomer to the Meudon Observatory, one of the finest observatories in France. Unfortunately for his American reputation, Trouvelot in his early days in the U.S. had dabbled in silk-worm culture, and he brought back from France another silk-producing caterpillar to see if they could be hybridized with the silkworm. The imports were gypsy moth larvae. Some of the insects escaped from his back yard, and although he tried to alert authorities, nothing was done, until the gypsy moth had spread and become the scourge of the East Coast. Trouvelot is not remembered fondly by those who have had to grapple with this unsightly backyard menace.

Étienne Léopold Trouvelot [Wikipedia]

New York Public Library Digital Gallery

The Trouvelot astronomical drawings manual

Deceased--Harley Garbani

Harley Garbani
September 19th, 1922 to April 21st, 2011

"Harley Garbani dies at 88; fossil hunter unearthed significant dinosaur finds"

A self-taught paleontologist and archaeologist with a longtime passion for hunting dinosaur bones, Harley Garbani found partial skulls of the youngest-known Tyrannosaurus rex and the youngest-known Triceratops.

by

Dennis McLellan

April 24th, 2011

Los Angeles Times

He was a onetime plumber who gained unexpected renown pursuing his lifelong avocation as a fossil hunter who discovered some of the world's most significant dinosaur fossils.

From Mexico to Montana, self-taught paleontologist and archaeologist Harley Garbani spent decades "prospecting for bones" in the badlands where bedrock is exposed. He also amassed one of the finest collections of Native American artifacts in Southern California.

His prime fossil finds are on display at the Natural History Museum of Los Angeles County, the University of California Museum of Paleontology in Berkeley and the Museum of the Rockies in Bozeman, Mont.

Garbani died Thursday of natural causes at his home in Hemet, said his wife, Mary. He was 88.

"He was a very passionate fossil hunter and someone who understood the scientific value of fossils," said Luis Chiappe, director of the Natural History Museum's Dinosaur Institute.

"He didn't have any academic training in the field, and he didn't do any research," Chiappe said. "He was primarily a field person, and he made some truly unique discoveries."

Those finds include the partial skulls of the youngest-known Tyrannosaurus rex and the youngest-known Triceratops, two iconic dinosaurs, which will be on display in the museum's new Dinosaur Hall when it opens July 16.

The skulls are among many of Garbani's fossil finds that have been displayed over the years at the L.A. County museum, which paid him to lead fossil-hunting expeditions to Montana in the 1960s.

While leading such a trip in 1966, Garbani found the skull, jawbone and other parts of a T. rex on the Engdahl Ranch, 20 miles northwest of the small town of Jordan, Mont.

"That was only the third specimen that was in any way complete that had ever been found," said paleontologist Lowell Dingus, who devoted a chapter to Garbani in his 2004 book, "Hell Creek, Montana: America's Key to the Prehistoric Past."

"He was certainly among the greatest fossil collectors that ever lived and the greatest one that I have ever known and worked with," said Dingus, who worked with Garbani while doing his dissertation fieldwork at UC Berkeley three decades ago.

During the summers from 1972 until several years ago, Garbani was part of the field crews of Berkeley's Museum of Paleontology that made trips to Montana.

"He not only collected fossil vertebrates but fossil clams and snails and plants," said Bill Clemens, a curator at the Berkeley museum who led the field trips.

"For us, one of the neat things that he found was the skull of a very young Triceratops, and already that's been a focus of research as a number of people have been looking into the patterns of growth of that dinosaur," Clemens said.

"He just had a sense for being able to find these amazing fossils — both large and small," Dingus said. "He was an expert not only at finding dinosaurs, but also finding very tiny teeth that are small enough that you study them under a microscope. These teeth were from the small mammals that lived in the shadows of the large dinosaurs.

"His skill at this wasn't simply based on luck. What he was able to do was figure out the kinds of rock layers and the kinds of outcrops that were most likely to have fossils because he had found them in similar-looking rock layers before."

Garbani was a welcome visitor to the sprawling ranch owned by Robert and Jane Engdahl — and to neighboring ranches — in the rugged hill country of the Missouri Breaks in Montana.

"He called the Hell Creek Bar" in Jordan "the office," Jane Engdahl said. "That's where he always met with these other bone diggers."

During the last four or five fossil-hunting trips Garbani made to the area, she said, "he'd have a potluck supper at the bar. He'd walk around with poker chips and give them to the friends to buy their drinks with. That would be 'Free drinks from Harley.'

"He was well-loved by everybody in Garfield County," she said.

Garbani — who had, among other things, a previously unknown gopher species and a small dinosaur named after him — received the Society of Vertebrate Paleontology's first Morris F. Skinner Award in 1990, in recognition of his fossil-collecting and contributions to science.

"He was a curious man, and that made him the expert that he was," said Mary Garbani. "I always said he was a humble man with nothing to be humble about."

Garbani was born Sept. 19, 1922, in Los Angeles and moved to the San Jacinto Valley in Riverside County when he was 3.

Growing up on a farm, he made his first find while trying to catch a pony when he was 8. "It was a large point, like part of a knife or spear," he told the Los Angeles Times in 2007. "I was hooked ever since."

A year later, his father was driving an earthmover and young Garbani was following behind when he made another discovery.

"It was a petrified bone, a femur. It came from a very large camel from the Pleistocene Age," he said. "I was 9 and had a collection going."

For many years, Garbani searched for Native American artifacts within a hundred-mile radius of the San Jacinto Valley.

He helped inspire a group to create the Western Science Center at Diamond Valley Lake near Hemet, where some of his archeological items have been displayed. His collection will be donated to the center, his wife said.

In addition to his wife of 11 years, he is survived by his son, David; three grandchildren; and four great-grandchildren.

Deceased--Norio Ohga

Norio Ohga
January 29th, 1930 to April 23rd, 2011

"Norio Ohga dies at 81; former Sony chairman developed the CD"

The flamboyant music connoisseur who gave up a career as an opera singer led the company's expansion from hardware to software and entertainment, with a focus on music, films and video games.

April 24th, 2011

Los Angeles Times

Former Sony President and Chairman Norio Ohga, who gave up a career as an opera singer to join the fledgling consumer electronics maker in the 1950s and later led its expansion from hardware to software and entertainment and developing the compact disc, died Saturday. He was 81.

Ohga, who led the company from 1982 to 1995, died of multiple organ failure in Tokyo, Sony said.

Some decisions made during Ohga's presidency, such as the $3.4-billion purchase of Columbia Pictures, were criticized as unwise and costly at the time. But Ohga's focus on music, films and video games as a way to enrich the electronics business helped create Sony's success in his era.

"We are always chasing after things that other companies won't touch," Ohga said in 1998. "That is a big secret to our success."

The flamboyant music connoisseur steered his work through his love of music. Ohga insisted the CD be designed at 4.8 inches in diameter — or 75 minutes' worth of music — to store Beethoven's Ninth Symphony in its entirety.

From the start, Ohga recognized the potential of the CD's superior sound quality. Sony sold the world's first CD in 1982 and CDs overtook LP record sales in Japan five years later. The specifications are still used today and shaped formats of devices developed since.

Shattering the stereotype of the staid Japanese executive, the debonair Ohga was never shy, his hair neatly slicked back, his boisterous manner exuding the fiery yet naive air of an artist. His persona added a touch of glamour to Sony's image at a time when Japan had global ambitions.

Ohga was set to pursue a career as a baritone opera singer when Sony co-founders Masaru Ibuka and Akio Morita, intrigued by his complaints about the sound quality of Sony tape recorders, recruited him to the company.

Ohga tried to lead a double life of artist and Sony man. He eventually gave up his opera career but never gave up promoting classical music in Japan.

Born Jan. 29, 1930, in Numazu, Japan, Ohga graduated from Tokyo National University of Fine Arts and Music in 1953 and Berlin University of the Arts in 1957.

He was an executive by his 30s, a rarity in a Japanese company. He was appointed president of CBS Sony Records in 1970, chairman of what later became Sony Corp. of America in 1988 and chief executive of Sony in 1989.

The company says he was key in building the Sony brand, especially working on design, as well as quality, to make products that looked attractive to consumers.

Sony started amid the destruction and poverty after World War II and built itself on the popularity of transistor radios, the Walkman, the Trinitron TV and the CD — shaping the history of modern electronics.

It has encountered difficulty in recent years, as it fell behind in flat-panel TVs to rivals such as Samsung Electronics Co. of South Korea, as well as in digital music players to Apple Inc.

Sony remains unique in having a Hollywood studio (now known as Sony Pictures), a music recording business, and the PlayStation video game unit, despite some critics' complaints that it has never fully realized the benefits of owning both electronics and entertainment divisions.

Ohga remained a senior advisor to Sony but since about 2000 had not been involved in the company's day-to-day business.

Chairman of the Tokyo Philharmonic Orchestra since 1999, he continued to conduct there a few times a year. He suffered a stroke in 2001 while conducting the Tokyo Philharmonic at the Beijing International Music Festival.

He is survived by his wife, Midori.

Sunday, April 24, 2011

Vocabulary list--#5


ablation

ah-bley-shen

noun

1. The wearing away of exterior or peripheral material by melting, friction, or burning, as the ablation of a glacier by melting or scraping against rock or the ablation of a burning meteor streaking across the sky.
2. The surgical removal of a body part by excision or amputation.


afflatus

uh-FLAY-tuhs

noun

A divine imparting of knowledge; inspiration.


apposite

AP-uh-zit

adjective

Being of striking appropriateness and relevance; very applicable; apt.


aver

uh-VUR

transitive verb:

1. To affirm with confidence; to declare in a positive manner, as in confidence of asserting the truth.
2. (Law) To assert, claim, or declare as a fact.


cancrine

kang-kreen

adjective

1. Crab-like, having the features and characteristics or the shape of a crab (cancriform); crooked, bent, moving sideways.
2. Related to crabs.


cathexis

ka-thek-sis

noun

1. The focus or direction of emotional energy on a single object, idea, or activity.
2. A fixation or obsession.


compurgator

kahm-per-gay-ter

noun

One who under oath vouches for the character or conduct of an accused person.


corybantic

kawr-uh-BAN-tik

adjective

Frenzied; agitated; unrestrained.


concatenate

kahn-kat-uh-nayt

verb

To link together in a series or chain.


entheogen

en-thee-e-jen

noun

A psychoactive (psychedelic, hallucinogenic) substance used to induce a mystical or spiritual experience.


epicene

EP-uh-seen

adjective

1. Having the characteristics of both sexes.
2. Effeminate; unmasculine.
3. Sexless; neuter.
4. (Linguistics) Having but one form of the noun for both the male and the female.

noun

1. A person or thing that is epicene.
2. (Linguistics) An epicene word.


equivocate

ih-KWIV-uh-kayt

intransitive verb

To be deliberately ambiguous or unclear in order to mislead or to avoid committing oneself to anything definite.


ersatz

AIR-sahts; UR-sats

adjective

Being a substitute or imitation, usually an inferior one.


fugacious

fyoo-GAY-shuhs

adjective

Lasting but a short time, fleeting.


fulvous

FULL-vus

adjective

Of a dull brownish yellow, tawny


hermetic

her-MET-ik

adjective

1. Relating to or characterized by occultism or abstruseness, recondite.
2A. Airtight.
2B. Impervious to external influence.
2C. Recluse, solitary.

interregnum

in-tuhr-REG-nuhm

noun

Plural interregnums

-nuhmz or interregna-nuh

1. The interval between two reigns; any period when a state is left without a ruler.
2. A period of freedom from authority or during which government functions are suspended.
3. Any breach of continuity in an order; a lapse or interval in a continuity.


interpolate

in-ter-pe-layt

verb transitive

1. To insert new matter between parts of something else.
2. To adulterate or corrupt by adding new, irrelevant matter.
3. (Mathematics) To estimate a value that lies between two other values.


irredenta

ir-ra-dent-a

noun

A population of people belonging to one culture under the political domination of another.


oppugn

uh-PYOON

verb

1. To assail by criticism, argument, or action.
2. To call in question; dispute.


organoleptic

or-guh-noh-lep-tik

adjective

1. Being, affecting, or relating to qualities (as taste, color, odor, and feel) of a substance (as a food or drug) that stimulate the sense organs.
2. Involving use of the sense organs.


praxis

PRAK-sis

noun

1. Practice, as distinguished from theory; application or use, as of knowledge or skills.
2. Convention, habit, or custom.
3. A set of examples for practice.


prescience

PREE-shuns; PREE-shee-uns; PRESH-uns; PRESH-ee-uns; PREE-see-uns; PRES-ee-uns

noun

Knowledge of events before they take place; foresight.


pseudepigraphy

su-di-pig-ra-fi

noun

False attribution of authorship.


prolix

pro-LIKS; PRO-liks

adjective

1. Extending to a great length; unnecessarily long; wordy.
2. Tending to speak or write at excessive length.


pusillanimous

pyoo-suh-LAN-uh-muhs

adjective

Lacking in courage and resolution; contemptibly fearful; cowardly.


rueru

verb transitive

1. To regret, to feel sorry about.
2. To repent, to be penitent or do penitence for (now rare).


ruritanian

rur-uh-tay-nee-un

adjective

Of, relating to, or having the characteristics of an imaginary place of high romance.


terpsichorean

terp-sih-kuh-ree-un

noun

Of or relating to dancing.


truckle

TRUHK-uhl

verb intransitive

To yield or bend obsequiously to the will of another; to act in a subservient manner.

noun

A small wheel or roller; a caster.


veridical

va-ri-di-kel

adjective

1. Veracious, truthful, in perfect alignment with the facts, as a veridical excuse for being late.
2. Verisimilar, seeming to coincide with reality, seemingly real, as a veridical hallucination.


verisimilitude

ver-uh-suh-MIL-uh-tood; -tyood

noun

1. The appearance of truth; the quality of seeming to be true.
2. Something that has the appearance of being true or real.


weltanschauung

velt-ahnn-shaeww-ung

noun

World view, outlook on life, philosophy of life.


zibeline

ZIB-uh-leen

noun

A soft lustrous wool fabric with mohair, alpaca, or camel's hair.


Vocabulary list--#1

Vocabulary list--#2

Vocabulary list--#3

Vocabulary list--#4

Continuing project of POSP's stringer Tim.

Friday, April 22, 2011

Tale of a Paris bookstore


"American's bookstore in Paris becomes family affair"

Sylvia Whitman gave up her ambitions in order to manage her father's iconic Paris bookstore, stitching together their frayed ties and bringing the shop into the 21st century.

by

Devorah Lauter

April 21st, 2011

Los Angeles Times

They used to catch glimpses of him shuffling among the stacks in his English-language bookshop facing Notre Dame Cathedral, the white-haired Shakespearean king revered and feared by his subjects, who depended on him to avoid a train ride home, or worse, a job.

They would get to know George Whitman's spitfire wit, unpredictable temper and unending generosity after sleeping in his shop, where he has put up thousands of struggling writers and wandering youths in the 60 years since he opened Shakespeare and Company.

He was the kind of man who never spent a cent on himself; he'd light his hair on fire with a candle because it was a cheap way to get a trim. (He occasionally used the technique on customers, whether or not they knew what was coming.)

He's such a legend that it's no wonder a lot of customers at the bookshop on Rue de la Bucherie ask whether Whitman, an American born in 1913, is still alive. (More on that later.)

And they wonder whatever happened to the little daughter he used to carry on his shoulders through warmly lighted narrow nooks or leave sitting in the shop window with the cat.

Sylvia Whitman, a 30-year-old with a ready smile and a fairy-blond crop of curls, likes telling about the occasional customer who inquires whether the proprietor's daughter is alive, doubtful she could have survived a childhood spent in a "very beatnik" Shakespeare and Company frequented by the likes of Allen Ginsberg and William Burroughs.

"I would have been crazy if I'd grown up here," she says. "I'd be on drugs."

Sylvia left that world behind at age 7 with her mother and became estranged from her father. But now, a kind of Cordelia to Whitman's King Lear, she has fallen for him and the store.

"When I got here, I was so kind of blown away by him," she says. "He's such an eccentric character, interesting but also so terrifying in a way.... And I really wanted to have a relationship with him."

She gave up her ambition to be an actress to take on the management of the bookstore, bringing the shop into the 21st century while being true to its bohemian roots.

Inspired by Sylvia Beach's early 20th century bookshop of the same name where writers such as Hemingway hung out, Whitman's version is a fitting sequel to Beach's era.

Curling photos of Shakespeare and Company habitues decorate crooked, aging walls. From unpublished poets to drunken literary enthusiasts to a French railway worker, many slept on the makeshift beds squeezed between shelves of musty books.

In addition to being a charming spot for tourists, expats and artists to spend rainy afternoons, the place has long been an unpredictably mad, theatrical universe of its own, thanks to George Whitman's open-door philosophy, which focused less on selling books than on gathering readers under the store's cracked and peeling roof.

Whitman used to say he offered beds to strangers "lest they be angels in disguise." Rather than focus on the writing they were half-expected to do, along with helping in the shop, they and the proprietor shared bottles of cheap wine and stories late into the night. By day, they tasted Whitman's tea and the glue-like pancakes he made for Sunday brunch.

"When I'm here, I try not to think about plans for tomorrow," said one recent tumbleweed, 18-year-old Saul Thompson, from Somerset in southwest England.

"They took me in right away. It was either Shakespeare and Company or going back to Somerset, and I couldn't think of anything worse than that," he said, sitting on a bench that doubles as a bed after closing.

Thompson had trouble getting used to the commotion during Monday night author readings, but he quickly felt at home among what he calls his Paris "community," a kind of shelter from the fast-paced city.

A sense of refuge envelops those who enter the store. Sylvia says that's why, for her father, "if you're not in the world of Shakespeare and Company, it's not that you don't count, but you're just not in his world."

That is also a reason why the distance grew between father and daughter while Sylvia was living in Britain, until she was 21.

"He's not someone — in any way, a modern person — where he'd pick up the phone," she says. "I think he thought about me, and every now and then he sent me a letter. … We just kind of lost touch."

But "something clicked" as she neared the end of her studies in Eastern European history at University College London, where she earned a bachelor's degree. It was 2002, and her father was 88.

"I thought, I can't not get to know him and regret it for the rest of my life," she says. "My plan was to spend the summer at the bookshop with Dad, but his mentality is that you've got to do something in the bookshop, you should always be working. It doesn't matter who it is."

So despite knowing nothing about bookselling, Sylvia started what she now calls her father's "test," to see whether she could run the place.

The experience turned into a much deeper trial.

"There were scenes of screaming at each other in the shop, and making all the customers feel awkward," she says. "And then there were other moments of really having laughing fits, and buying books together.

"He's really very witty … and that's quite addictive to be around."

Though Sylvia wanted to "preserve the essence of the place," the transition was a delicate balancing act in an establishment strictly governed by aversion to change. Customers include people who have actually lived in the store, adding to their feelings of possessiveness about it.

Whitman himself resisted even the slightest innovations.

"He used to take me around the store, like on a ride, and he'd say what had to be put back after Sylvia had changed it," says David Delannet, who works for Shakespeare and Company and is Sylvia's boyfriend. "For me, the bookshop is an extension of his body. That's why he has such a passionate relationship with the place.

"This thing which I thought was anarchy is actually carefully thought out, with an artistic sense. That's why it's hard for him to let his daughter take over."

Nevertheless, Sylvia persisted with ideas to attract authors and new readers.

"I would be very bored working somewhere that wasn't evolving," she says, remembering a guidebook comment years ago that the store was resting on its laurels.

"I had the confidence to contradict him, which not many people had before. And I was just as stubborn as him.... And actually, what did I know? … But it came down to, this is my father and he's driving me crazy," she says.

Today she is the shop's uncontested manager, and changes have included ambitious projects such as regular literary festivals with best-selling authors, a 10,000-euro (about $14,500) literary prize for unpublished writers, a literary magazine, concerts in and around the shop, plus weekly readings by A-list writers.

Sylvia is more diplomatic than her father. She is also more practical. But she shares his energy and idealism and is willing to make any interesting proposal a reality, "if it doesn't bankrupt us or mean we can't sleep for a month."

"If it's possible, then it has to happen, and I think that's the general attitude here," she says. "Dad always says the shop is a socialist utopia masquerading as a bookshop."

Sylvia talks to her father about "business," but also about her personal life.

"We have a really, really beautiful relationship now. I probably would say he is my best friend. And I really share everything with him."

The old Yank on the Left Bank, who bought the store from an Arab grocer for a song, is 97 and spends most days in bed above the store.

"I am a rich man, but I live like a tramp," he said recently. "That's pretty idiotic." This was in answer to a question about why his favorite book was Dostoyevsky's "The Idiot."

But he was clearly proud of what he had accomplished. Lying in bed with his white cat and a coffee eclair, Whitman said that for his whole life he's looked for a woman like a character he loved in "The Idiot," someone whose heart was "pure."

Surrounding him were close-up photographs of Sylvia at every age.