Showing posts with label Voltaire. Show all posts
Showing posts with label Voltaire. Show all posts

Tuesday, August 25, 2009

Ludvig Holberg and early sci-fi

Ludvig Holberg
December 3rd, 1684 to January 28th, 1754

Not exactly a well-known figure in the genre of science fiction literature but certainly a contributor is Ludvig Holberg and his sci-fi entry Niels Klim's Underground Travels.

Niels Klim's Underground Travels is significant in the history of science fiction being one of the first science-fiction novels in history, along with Lucian's A True Story, Johannes Kepler's Somnium [The Dream, 1634], Cyrano de Bergerac's Comical History of the States and Empires of the Moon [1656], Voltaire's Micromégas [1752], and [1726] Jonathan Swift's Gulliver's Travels.

Plot synopsis [Wikipedia]...

The novel starts with a foreword that assures that everything in the story is a real account of the title character's exploits in the Underworld. The story is set, according to the book, in the Norwegian harbor town Bergen in 1664, after Klim returns from the university in Copenhagen, where he has studied philosophy and theology and graduated magna cum laude. His curiosity drives him to investigate a strange cave hole on the mountain above the town, which sends out regular gusts of warm air. He ends up falling down the hole, and after a while he finds himself floating in free space.

After a few days of orbiting the planet which revolves around the inner sun, he is attacked by a gryphon, and he falls down on the planet, which is named Nazar. There he wanders about for a short while until he is attacked once again, this time by an ox. He climbs up into a tree, and to his astonishment the tree can move and talk (this one screamed), and he is taken prisoner by tree-like creatures with up to six arms and a face right below the branches. He is accused of attempted rape on the town clerk's wife, and is put on trial. The case is dismissed and he is set by the Lord of Potu (the utopian state in which he now is located) to learn the language.

Klim quickly learns the language of the Potuans, but this reflects badly on him when the Lord is about to issue him with a job, because the Potuans believe that if you perceive a problem at a slower rate, the better you can understand and solve it. But, since he has considerably longer legs than the Potuans, who walk very slowly, he is set to be the Lord's personal courier, delivering letters and suchlike.

During the course of the book, Klim vividly chronicles the culture of the Potuans, their religion, their way of life and the many different countries located on Nazar. After his two-month long circumnavigation on foot, he is appalled by the fact that men and women are equal and shares the same kind of jobs, so he files a suggestion to the Lord of Potu to remove women from higher positions in society. His suggestion is poorly received and he is sentenced to be exiled to the inner rim of the Earth's crust. There he becomes familiar with a country inhabited by sentient monkeys, and after a few years he becomes emperor of the land of Quama, inhabited by the only creatures in the Underworld that look like humans. There, he marries and fathers a son. But again he is driven from hearth and home due to his tyranny and as he escapes he falls into a hole, which carries him through the crust and back up to Bergen again.

There, he is mistaken by the townsfolk to be the Wandering Jew, mostly due to a lingual misunderstanding (he asks a couple of young boys where he is in quamittian, which is Jeru Pikal Salim, and the boys think he talks about Jerusalem). He learns that he has been away for twelve years, and is taken in by his old friend, mayor Abelin, who writes down everything Klim tells him. He later receives a job as principal of the college of Bergen, and marries.

Kepler's Somnium and Bergerac's Comical History of the States and Empires of the Moon as well as Holberg's Niels Klim's Underground Travels are not available online but for purchase from various retailers or at one's local library.

Holberg is also responsible for the Norwegian Holberg International Memorial Prize [for outstanding scholarly work in the arts and humanities, social sciences, law and theology].


Earliest science fiction

Tuesday, March 10, 2009

Emilie du Châtelet...ties to Newton and Voltaire

Emilie du Châtelet
December 17th, 1706 to September 10th, 1749

March has been designated "Women in Science" month. Lots of women made their marks in science: Marie Curie or Lise Meitner...and, Emilie du Châtelet.

"Emilie du Châtelet: the genius without a beard"

by

Patricia Fara

June 10th, 2004

physicsworld.com


Encouraged by Voltaire, the 18th-century aristocrat Emilie du Châtelet led a covert scientific career that culminated in the first French translation of Newton's Principia. However, as Patricia Fara reveals, Du Châtelet has been unfairly cast as just Voltaire's mistress

According to Francois-Marie Voltaire - Enlightenment France's great writer and philosopher - Emilie du Châtelet "was a great man whose only fault was being a woman". Du Châtelet has paid the penalty for being a woman twice over. In her own lifetime she fought for the education and the publishing opportunities that she craved. Since her death, she has been cast in the shadow of two men - Voltaire, with whom she lived and studied, and Isaac Newton, whose work she criticized and interpreted. Her translation from Latin of Newton's Principia, his great work on gravity, remains the only complete version in French.

For more than two centuries, Du Châtelet (1706-49) has been cast as Voltaire's mistress, as though she were his possession or at best an intelligent secretary. But Voltaire himself knew better - he celebrated her as a "great and powerful genius". Together they wrote Elements of Newton's Philosophy (1738), an extremely influential book that persuaded French experimenters to abandon their own national hero, René Descartes, and pledge allegiance to Newton instead.

Although only Voltaire's name was on the title page, he paid tribute to Du Châtelet's scientific superiority – their book's frontispiece (shown) envisages her hovering above his head, casting Newton's divine wisdom down onto his hand. Du Châtelet's mirror identifies her as the goddess of truth, while Voltaire sports a poet's laurel wreath as he assiduously transcribes the words of his female muse. "She dictated and I wrote," he told a friend.

Tackling prejudice

Faced with overt exclusion from academic circles as well as ingrained doubts about her own ability, Du Châtelet was caught between conflicting, unsatisfactory stereotypes - the learned eccentric, the flamboyant lover, the devoted mother. Too many biographers have plumped for one or another of these hackneyed models, rather than listening to her quiet insistence of being "in my own right a whole person".

"Judge me for my own merits," protested Du Châtelet - but how should this be done?

Judging her by modern standards is not a valid approach. Women in the 18th century had virtually no educational opportunities and were believed to be intellectually as well as physically inferior to men. Just as importantly, there were no conventional career tracks to follow even for men who wanted to study science; like women, they had to carve out their own routes to success, especially if they were not born into rich families.

Trapped between the sexes, Du Châtelet conformed to the expectations of the time by loving to shop, dance and entertain. But she also transgressed social norms by dedicating herself to Newtonian natural philosophy. When submission deadlines were close she scarcely slept, plunging her hands into ice-cold water to keep herself awake.

In addition to her scientific research, she wrote and translated works on other subjects, such as ethics, the Bible and Greek poetry. The German philosopher Immanuel Kant admired her intellect, yet sneered that "a woman who conducts learned controversies on mechanics like the Marquise de Chatelier might as well have a beard".

Like many clever women today, even in the midst of achievement she lacked self-confidence - "God has refused me any kind of genius," she once confided. Despite her unconventional lifestyle, Du Châtelet still performed the traditional time-filling tasks expected of a wife and mother. Some of these she imposed on herself, but in other cases it seems that she yielded to pressure from her contemporaries, as if conditioned from birth into a form of psychological captivity. But she encouraged women to foster their own happiness by studying "to console them for everything that makes them dependent on men".

A scientific mind

Obviously brilliant as a child, Du Châtelet resented the discrimination that made it impossible for her to pursue the same career as a man. Born into a wealthy aristocratic family, she benefited from an enlightened father. Instead of sending her to a convent school he decided that she should be taught at home, and she received the sort of education that was more typical for boys. She could apparently speak six languages when she was only 12, but it was not until she reached her late 20s that she started to immerse herself in Newton's ideas. These were still extremely controversial: the Jesuits controlled France's education system, and their Cartesian science based on swirling vortices of tiny particles reigned well into the second half of the century.

By the time that she started to tackle Newton, Du Châtelet was married to an older army officer, had given birth to three children, and was simultaneously developing friendships with two other men. She persuaded one of them to teach her mathematics privately, and fell passionately in love with the other, Voltaire. He was in serious trouble, hunted by the police because of his unpatriotic political views, and Du Châtelet sent him off to hide at her country estate. The next summer she joined him there, and for 15 years they lived together, embroiled in a private world of intense intellectual activity entwined with romance.

Their first priority was to stock their library. They amassed 21,000 books - more than in most European universities - and they each had separate rooms packed with scientific equipment. Du Châtelet took over the great hall, where she tested Newton's theories with wooden balls swinging from the rafters and metal apparatus forged from the nearby iron mines.

In 1738 Voltaire published their extraordinarily successful Elements of Newton's Philosophy. Well illustrated, it clearly explained the basic principles of Newton's discoveries in mathematical astronomy and optics, so that for the first time the new physics became accessible to a wide range of French people. Voltaire hero-worshipped Newton but recognized that he himself could not match Du Châtelet intellectually. "I used to teach myself with you," he wrote 10 years later, "but now you have flown up where I can no longer follow."

Du Châtelet grappled with the philosophical relationships between the Cartesian, Leibnizian and Newtonian systems. Unlike Voltaire, she believed that good science needs metaphysical foundations. Newtonianism, she pointed out, purports to be based solely on experimental observations, yet inevitably entails metaphysical assumptions about the existence of scientific laws. For about a year and a half she prepared a new manuscript, Foundations of Physics, in which she tried to integrate the ideas of Descartes, Leibniz and Newton.

A tough world for female scholars

Du Châtelet wrote in complete secrecy, trapped in a dilemma: she desperately needed constructive criticism, but risked painful mockery by revealing that a woman was daring to engage in such innovative work. Many female scholars experienced similar conflicts. Almost 100 years later, the English mathematical physicist Mary Somerville was working on a mirror-imageproject - elucidating for an English audience the cosmological ideas of the self-styled "French Newton", Pierre Laplace. "I hid my papers as soon as the bell announced a visitor," Somerville confessed, "lest anyone should discover my secret." Although she doubted her own genius, Somerville was valued so highly that an Oxford college was named after her.

By welding together three conflicting systems, Du Châtelet suggested a novel yet welcome approach. Helped by the book that Du Châtelet and Voltaire had published earlier, Newtonian ideas were spreading through Europe, but there were fundamental clashes between the clockwork universes proposed by Europe's three most eminent natural philosophers. By incorporating Leibnizian ideas about active substances, Du Châtelet helped to forge a new version of Newtonian physics that resolved the problems of describing force and movement. Published anonymously, her book received glowing reviews in prestigious journals.

Finally she embarked on her most ambitious project - translating Newton's Principia into French. Because the English translation was faulty, she worked directly from the original Latin. For Du Châtelet, translation meant more than just converting words into another language. She believed that she should create her own version of a text, one that incorporated her own ideas as well as those of the original author. Constrained by family duties, her work was intermittent - but it was very thorough.

Spreading the Newtonian word

Du Châtelet decided to undertake not only the literal translation of the text itself, but also three types of interpretation. For newcomers she converted the complex mathematics into elegant prose, supplemented by her own examples. Next, she turned to calculus, translating Newton's geometry into the new continental algebra. Finally, she summarized recent mathematical research and experimental vindications of Newton's theories.

But to her dismay, Du Châtelet discovered that she was pregnant. Then aged 43, she was an elderly women by contemporary standards. Although Voltaire was not the father, he helped Du Châtelet deceive her husband into thinking that the baby was legitimate. Plagued by gloomy premonitions, Du Châtelet intensified her work schedule, working 18 hours a day to finish in time. Although she did succeed, she died soon after the baby was born. On her last day she recorded the date on her Newton commentary. Her Principia was published 10 years later, in 1759, to coincide with the return of a comet vindicating Newton's physics.

Good translations are vital for spreading new ideas, and modern international science could not have developed without them. To understand how science came to form the backbone of our modern world, we need to describe not only what happened inside laboratories and libraries, but also what happened outside. Science now dominates popular media as well as educational syllabuses, but this is only because female teachers, editors, illustrators and translators - women like Du Châtelet - enabled scientists and students to learn about the latest research. Understanding science's past entails recognizing and crediting their involvement. Women made different contributions from men, but different need not mean insignificant.

[Patricia Fara is a fellow of Clare College, Cambridge. This article is based on a chapter in her book Pandora's Breeches: Women, Science and Power in the Enlightenment.]

Pandora's Breeches: Women, Science and Power in the Enlightenment

by

Patricia Fara

ISBN-10: 1844130827
ISBN-13: 978-1844130825

Émilie du Châtelet


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Wednesday, April 9, 2008

Classic literature/science


FICTION

Abbott, Edwin A.

Flatland: A Romance of Many Dimensions


Lucian

A True Story


Verne, Jules

Around the World in Eighty Days


Verne, Jules

Earth to the Moon


Verne, Jules

Five Weeks in a Balloon


Verne, Jules

From the Earth to the Moon


Verne, Jules

Journey to the Center of the Earth


Verne, Jules

The Moon-Voyage


Verne, Jules

Off on a Comet


Verne, Jules

Round the Moon


Voltaire

Micromegas

Wells, H. G.

The First Men in the Moon


Wells, H. G.

In the Days of the Comet


Wells, H. G.

The Time Machine


Wells, H. G.

The War of the Worlds


Also available:

"The War of the Worlds" by H. G. Wells as performed by Orson Welles & the Mercury Theatre on the Air and broadcast on the Columbia Broadcasting System on Sunday, October 30, 1938

Script

Recorded Broadcast


Wells, H. G.

When the Sleeper Wakes