Mark Twain treat..."A Ghost Story"

A Ghost Story

by

Mark Twain

1903

I took a large room, far up Broadway, in a huge old building whose upper stories had been wholly unoccupied for years, until I came. The place had long been given up to dust and cobwebs, to solitude and silence. I seemed groping among the tombs and invading the privacy of the dead, that first night I climbed up to my quarters. For the first time in my life a superstitious dread came over me; and as I turned a dark angle of the stairway and an invisible cobweb swung its lazy woof in my face and clung there, I shuddered as one who had encountered a phantom.

I was glad enough when I reached my room and locked out the mould and the darkness. A cheery fire was burning in the grate, and I sat down before it with a comforting sense of relief. For two hours I sat there, thinking of bygone times; recalling old scenes, and summoning half-forgotten faces out of the mists of the past; listening, in fancy, to voices that long ago grew silent for all time, and to once familiar songs that nobody sings now. And as my reverie softened down to a sadder and sadder pathos, the shrieking of the winds outside softened to a wail, the angry beating of the rain against the panes diminished to a tranquil patter, and one by one the noises in the street subsided, until the hurrying footsteps of the last belated straggler died away in the distance and left no sound behind.

The fire had burned low. A sense of loneliness crept over me. I arose and undressed, moving on tiptoe about the room, doing stealthily what I had to do, as if I were environed by sleeping enemies whose slumbers it would be fatal to break. I covered up in bed, and lay listening to the rain and wind and the faint creaking of distant shutters, till they lulled me to sleep.

I slept profoundly, but how long I do not know. All at once I found myself awake, and filled with a shuddering expectancy. All was still. All but my own heart -- I could hear it beat. Presently the bedclothes began to slip away slowly toward the foot of the bed, as if some one were pulling them! I could not stir; I could not speak. Still the blankets slipped deliberately away, till my breast was uncovered. Then with a great effort I seized them and drew them over my head. I waited, listened, waited. Once more that steady pull began, and once more I lay torpid a century of dragging seconds till my breast was naked again. At last I roused my energies and snatched the covers back to their place and held them with a strong grip. I waited. By and by I felt a faint tug, and took a fresh grip. The tug strengthened to a steady strain -- it grew stronger and stronger. My hold parted, and for the third time the blankets slid away. I groaned. An answering groan came from the foot of the bed! Beaded drops of sweat stood upon my forehead. I was more dead than alive. Presently I heard a heavy footstep in my room -- the step of an elephant, it seemed to me -- it was not like anything human. But it was moving FROM me -- there was relief in that. I heard it approach the door -- pass out without moving bolt or lock -- and wander away among the dismal corridors, straining the floors and joists till they creaked again as it passed -- and then silence reigned once more.

When my excitement had calmed, I said to myself, "This is a dream -- simply a hideous dream." And so I lay thinking it over until I convinced myself that it WAS a dream, and then a comforting laugh relaxed my lips and I was happy again. I got up and struck a light; and when I found that the locks and bolts were just as I had left them, another soothing laugh welled in my heart and rippled from my lips. I took my pipe and lit it, and was just sitting down before the fire, when -- down went the pipe out of my nerveless fingers, the blood forsook my cheeks, and my placid breathing was cut short with a gasp! In the ashes on the hearth, side by side with my own bare footprint, was another, so vast that in comparison mine was but an infant's'! Then I had HAD a visitor, and the elephant tread was explained.

I put out the light and returned to bed, palsied with fear. I lay a long time, peering into the darkness, and listening. Then I heard a grating noise overhead, like the dragging of a heavy body across the floor; then the throwing down of the body, and the shaking of my windows in response to the concussion. In distant parts of the building I heard the muffled slamming of doors. I heard, at intervals, stealthy footsteps creeping in and out among the corridors, and up and down the stairs. Sometimes these noises approached my door, hesitated, and went away again. I heard the clanking of chains faintly, in remote passages, and listened while the clanking grew nearer -- while it wearily climbed the stairways, marking each move by the loose surplus of chain that fell with an accented rattle upon each succeeding step as the goblin that bore it advanced. I heard muttered sentences; half-uttered screams that seemed smothered violently; and the swish of invisible garments, the rush of invisible wings. Then I became conscious that my chamber was invaded -- that I was not alone. I heard sighs and breathings about my bed, and mysterious whisperings. Three little spheres of soft phosphorescent light appeared on the ceiling directly over my head, clung and glowed there a moment, and then dropped -- two of them upon my face and one upon the pillow. They spattered, liquidly, and felt warm. Intuition told me they had turned to gouts of blood as they fell -- I needed no light to satisfy myself of that. Then I saw pallid faces, dimly luminous, and white uplifted hands, floating bodiless in the air -floating a moment and then disappearing. The whispering ceased, and the voices and the sounds, and a solemn stillness followed. I waited and listened. I felt that I must have light or die. I was weak with fear. I slowly raised myself toward a sitting posture, and my face came in contact with a clammy hand! All strength went from me apparently, and I fell back like a stricken invalid. Then I heard the rustle of a garment -- it seemed to pass to the door and go out.

When everything was still once more, I crept out of bed, sick and feeble, and lit the gas with a hand that trembled as if it were aged with a hundred years. The light brought some little cheer to my spirits. I sat down and fell into a dreamy contemplation of that great footprint in the ashes. By and by its outlines began to waver and grow dim. I glanced up and the broad gas flame was slowly wilting away. In the same moment I heard that elephantine tread again. I noted its approach, nearer and nearer, along the musty halls, and dimmer and dimmer the light waned. The tread reached my very door and paused -- the light had dwindled to a sickly blue, and all things about me lay in a spectral twilight. The door did not open, and yet I felt a faint gust of air fan my cheek, and presently was conscious of a huge, cloudy presence before me. I watched it with fascinated eyes. A pale glow stole over the Thing; gradually its cloudy folds took shape -- an arm appeared, then legs, then a body, and last a great sad face looked out of the vapor. Stripped of its filmy housings, naked, muscular and comely, the majestic Cardiff Giant loomed above me!

All my misery vanished -- for a child might know that no harm could come with that benignant countenance. My cheerful spirits returned at once, and in sympathy with them the gas flamed up brightly again. Never a lonely outcast was so glad to welcome company as I was to greet the friendly giant. I said:

"Why, is it nobody but you? Do you know, I have been scared to death for the last two or three hours? I am most honestly glad to see you. I wish I had a chair -- Here, here, don't try to sit down in that thing!

But it was too late. He was in it before I could stop him, and down he went -- I never saw a chair shivered so in my life.

"Stop, stop, You'll ruin ev--"

Too late again. There was another crash, and another chair was resolved into its original elements.

"Confound it, haven't you got any judgment at all? Do you want to ruin all the furniture on the place? Here, here, you petrified fool--"

But it was no use. Before I could arrest him he had sat down on the bed, and it was a melancholy ruin.

"Now what sort of a way is that to do? First you come lumbering about the place bringing a legion of vagabond goblins along with you to worry me to death, and then when I overlook an indelicacy of costume which would not be tolerated anywhere by cultivated people except in a respectable theater, and not even there if the nudity were of YOUR sex, you repay me by wrecking all the furniture you can find to sit down on. And why will you? You damage yourself as much as you do me. You have broken off the end of your spinal column, and littered up the floor with chips of your hams till the place looks like a marble yard. You ought to be ashamed of yourself -- you are big enough to know better."

"Well, I will not break any more furniture. But what am I to do? I have not had a chance to sit down for a century." And the tears came into his eyes.

"Poor devil," I said, "I should not have been so harsh with you. And you are an orphan, too, no doubt. But sit down on the floor here -- nothing else can stand your weight -- and besides, we cannot be sociable with you away up there above me; I want you down where I can perch on this high counting-house stool and gossip with you face to face."

So he sat down on the floor, and lit a pipe which I gave him, threw one of my red blankets over his shoulders, inverted my sitz-bath on his head, helmet fashion, and made himself picturesque and comfortable. Then he crossed his ankles, while I renewed the fire, and exposed the flat, honey-combed bottoms of his prodigious feet to the grateful warmth.

"What is the matter with the bottom of your feet and the back of your legs, that they are gouged up so?"

"Infernal chillblains -- I caught them clear up to the back of my head, roosting out there under Newell's farm. But I love the place; I love it as one loves his old home. There is no peace for me like the peace I feel when I am there."

We talked along for half an hour, and then I noticed that he looked tired, and spoke of it. "Tired?" he said. "Well, I should think so. And now I will tell you all about it, since you have treated me so well. I am the spirit of the Petrified Man that lies across the street there in the Museum. I am the ghost of the Cardiff Giant. I can have no rest, no peace, till they have given that poor body burial again. Now what was the most natural thing for me to do, to make men satisfy this wish? Terrify them into it! -- haunt the place where the body lay! So I haunted the museum night after night. I even got other spirits to help me. But it did no good, for nobody ever came to the museum at midnight. Then it occurred to me to come over the way and haunt this place a little. I felt that if I ever got a hearing I must succeed, for I had the most efficient company that perdition could furnish. Night after night we have shivered around through these mildewed halls, dragging chains, groaning, whispering, tramping up and down stairs, till, to tell you the truth, I am almost worn out. But when I saw a light in your room to-night I roused my energies again and went at it with a deal of the old freshness. But I am tired out -- entirely fagged out. Give me, I beseech you, give me some hope!"

I lit off my perch in a burst of excitement, and exclaimed:

"This transcends everything -- everything that ever did occur! Why you poor blundering old fossil, you have had all your trouble for nothing -- you have been haunting a PLASTER CAST of yourself -- the real Cardiff Giant is in Albany!

[Footnote by Twain: A fact. The original fraud was ingeniously and fraudfully duplicated, and exhibited in New York as the "only genuine" Cardiff Giant (to the unspeakable disgust of the owners of the real colossus) at the very same time that the latter was drawing crowds at a museum in Albany.]

Confound it, don't you know your own remains?"

I never saw such an eloquent look of shame, of pitiable humiliation, overspread a countenance before.

The Petrified Man rose slowly to his feet, and said:

"Honestly, IS that true?"

"As true as I am sitting here."

He took the pipe from his mouth and laid it on the mantel, then stood irresolute a moment (unconsciously, from old habit, thrusting his hands where his pantaloons pockets should have been, and meditatively dropping his chin on his breast), and finally said:

"Well -- I NEVER felt so absurd before. The Petrified Man has sold everybody else, and now the mean fraud has ended by selling its own ghost! My son, if there is any charity left in your heart for a poor friendless phantom like me, don't let this get out. Think how YOU would feel if you had made such an ass of yourself."

I heard his, stately tramp die away, step by step down the stairs and out into the deserted street, and felt sorry that he was gone, poor fellow -- and sorrier still that he had carried off my red blanket and my bath tub.

Previous Halloween treats...

Blood suckers of Connecticut

H. P. Lovecraft treat..."The Alchemist" 

BE AFRAID...the Vampire Squid

H. G. Wells treat..."The Star"

Animation land Halloween cartoons  

Witch Hazel 

The mirror
 
Kwaidan..four ghost stories

 
Edgar A. Poe treat..."A Tale of the Ragged Mountains"

Giants

Einstein and Twain?

"As I introduce the students to relativity in my physics classes, I like to begin by having them read Mark Twain's essay "My Watch" and discuss what our lives would be like if, for better or for worse, time actually could be adjusted in the manner Twain describes. I also read a selected chapter each day from Alan Lightman's book Einstein's Dreams3 to stimulate the students' thinking about the extent to which we are a time-dependent race, and that challenges to our Newtonian concept of time are not always initially welcome. These fictional writings allow the students license to think outside the Newtonian box I have put them in up to that point in my introductory physics course, and perhaps question what other challenges to our paradigms might lie out there in the great ocean of truth yet to be discovered."--Hugh Henderson.

Mark Twain, Relativity...and an essay by senior high school physics teacher Hugh Henderson. First is an essay by Mark Twain and then the Hugh Henderson essay.

"MY WATCH

An Instructive Little Tale"

by

Mark Twain

1903

MY beautiful new watch had run eighteen months without losing or gaining, and without break- ing any part of its machinery or stopping. I had come to believe it infallible in its judgments about the time of day, and to consider its constitution and its anatomy imperishable. But at last, one night, I let it run down. I grieved about it as if it were a recognized messenger and forerunner of calamity. But by and by I cheered up, set the watch by guess, and commanded my bodings and superstitions to depart. Next day I stepped into the chief jeweler's to set it by the exact time, and the head of the establishment took it out of my hand and proceeded to set it for me. Then he said, "She is four min- utes slow- regulator wants pushing up." I tried to stop him- tried to make him understand that the watch kept perfect time. But no; all this human cabbage could see was that the watch was four minutes slow, and the regulator MUST be pushed up a little; and so, while I danced around him in anguish, and implored him to let the watch alone, he calmly and cruelly did the shameful deed. My watch began to gain. It gained faster and faster day by day. Within the week it sickened to a raging fever, and its pulse went up to a hundred and fifty in the shade. At the end of two months it had left all the timepieces of the town far in the rear, and was a fraction over thirteen days ahead of the almanac. It was away into November enjoying the snow, while the October leaves were still turn- ing. It hurried up house rent, bills payable, and such things, in such a ruinous way that I could not abide it. I took it to the watchmaker to be regulated. He asked me if I had ever had it repaired. I said no, it had never needed any repairing. He looked a look of vicious happiness and eagerly pried the watch open, and then put a small dice box into his eye and peered into its machinery. He said it wanted cleaning and oiling, besides regulating -- come in a week. After being cleaned and oiled, and regulated, my watch slowed down to that degree that it ticked like a tolling bell. I began to be left by trains, I failed all appointments, I got to missing my dinner; my watch strung out three days' grace to four and let me go to protest; I gradually drifted back into yesterday, then day before, then into last week, and by and by the comprehension came upon me that all solitary and alone I was lingering along in week before last, and the world was out of sight. I seemed to detect in myself a sort of sneaking fellow-feeling for the mummy in the museum, and desire to swap news with him. I went to a watch maker again. He took the watch all to pieces while I waited, and then said the barrel was "swelled." He said he could reduce it in three days. After this the watch AVERAGED well, but nothing more. For half a day it would go like the very mischief, and keep up such a barking and wheezing and whooping and sneezing and snorting, that I could not hear myself think for the disturbance; and as long as it held out there was not a watch in the land that stood any chance against it. But the rest of the day it would keep on slowing down and fooling along until all the clocks it had left behind caught up again. So at last, at the end of twenty-four hours, it would trot up to the judges' stand all right and just in time. It would show a fair and square average, and no man could say it had done more or less than its duty. But a correct average is only a mild virtue in a watch, and I took this instrument to another watchmaker. He said the kingbolt was broken. I said I was glad it was nothing more serious. To tell the plain truth, I had no idea what the kingbolt was, but I did not choose to appear ignorant to a stranger. He repaired the kingbolt, but what the watch gained in one way it lost in another. It would run awhile and then stop awhile, and then run awhile again, and so on, using its own discretion about the intervals. And every time it went off it kicked back like a musket. I padded my breast for a few days, but finally took the watch to another watchmaker. He picked it all to pieces, and turned the ruin over and over under his glass; and then he said there appeared to be something the matter with the hair- trigger. He fixed it, and gave it a fresh start. It did well now, except that always at ten minutes to ten the hands would shut together like a pair of scissors, and from that time forth they would travel together. The oldest man in the world could not make head or tail of the time of day by such a watch, and so I went again to have the thing re- paired. This person said that the crystal had got bent, and that the mainspring was not straight. He also remarked that part of the works needed half- soling. He made these things all right, and then my timepiece performed unexceptionably, save that now and then, after working along quietly for nearly eight hours, everything inside would let go all of a sudden and begin to buzz like a bee, and the hands.

"It's About Time:Mark Twain's "My Watch" and Relativity"

by

Hugh Henderson

Plano Senior High School, Plano, TX

The Physics Teacher, Vol. 43, No. 6, pp. 378–379

September 2005

©2005 American Association of Physics Teachers

Over three decades before Einstein's year of miracles, the American humorist Mark Twain published an essay titled "My Watch,"1 in which he recounts his experiences with a previously reliable pocket watch and those who tried to rehabilitate it. He begins his essay by confessing his first error:

My beautiful new watch had run eighteen months without losing or gaining, and without breaking any part of its machinery or stopping. I had come to believe it infallible in its judgments about the time of day, and to consider its constitution and its anatomy imperishable. But at last, one night, I let it run down. I grieved about it as if it were a recognized messenger and forerunner of calamity.

Twain then sets the watch by guess, and takes it to the "chief jeweler's to set it by the exact time." To Twain's dismay, the jeweler insists on opening it up and adjusting the regulator inside the watch, and the watch begins to gain time.

It gained faster and faster day by day. Within a week it sickened to a raging fever, and its pulse went up to a hundred and fifty in the shade. At the end of two months, it had left all the timepieces of the town far in the rear, and was a fraction over thirteen days ahead of the almanac. It was away into November enjoying the snow, while the October leaves were still turning. It hurried up house rent, bills payable, and such things, in such a ruinous way that I could not abide it.

The effect Twain facetiously describes would actually occur for a watch left behind by a traveler leaving Earth and moving at an appreciable fraction of the speed of light for a short time and then returning to Earth. Because of his high speed, a watch moving with the traveler would run slowly compared to the watch left on Earth, so that when he returned to the reference frame of the Earth, the watch that never left would appear to have run faster than the moving watch, perhaps "away into November enjoying the snow," while the traveler's "October leaves were still turning." This phenomenon has been verified many times by comparing moving atomic clocks with Earth-bound atomic clocks.

So, Twain takes the watch to another watchmaker to be regulated once again. After having the watch cleaned and oiled, it "slowed down to the degree that it ticked like a tolling bell."

I began to be left by trains, I failed all appointments, I got to missing my dinner; my watch strung out three days' grace to four and let me go to protest; I gradually drifted back into yesterday, then day before, then into last week, and by and by the comprehension came upon me that all solitary and alone I was lingering along in week before last, and the world was out of sight.

This passage could describe the watch of the traveler as compared to the watch left on Earth (although he wouldn't notice the lagging of his watch until he returned to the Earth's reference frame). Or, it could describe a watch perched on the edge of a black hole, near the remains of a large collapsed star, where time and space are so warped by extreme gravity as to slow time to a near standstill.

As Twain takes the watch to a few more watchmakers, he is told that its barrel had swelled, the kingbolt is broken, the hair trigger needs adjusting, the mainspring is not straight, and part of the works needs half-soling, all causing the watch to run erratically, with the hands at times appearing motionless and other times, like our quantum-mechanical view of orbital electrons, blurred by speed and losing their individuality. When the last watchmaker says, "She makes too much steam—you want to hang the monkey wrench on the safety valve," it finally dawns on Twain what all the unsuccessful tinkers, gunsmiths, shoemakers, engineers, blacksmiths, and steam captains are now doing for a living, all at his expense.

As I introduce the students to relativity in my physics classes, I like to begin by having them read Mark Twain's essay "My Watch" and discuss what our lives would be like if, for better or for worse, time actually could be adjusted in the manner Twain describes. I also read a selected chapter each day from Alan Lightman's book Einstein's Dreams3 to stimulate the students' thinking about the extent to which we are a time-dependent race, and that challenges to our Newtonian concept of time are not always initially welcome. These fictional writings allow the students license to think outside the Newtonian box I have put them in up to that point in my introductory physics course, and perhaps question what other challenges to our paradigms might lie out there in the great ocean of truth yet to be discovered.

References:

1. Essays and Sketches of Mark Twain, edited by Stuart Miller (Barnes and Noble Books, New York, 1995).

2. R. Kent Rasmussen, The Quotable Mark Twain (Contemporary Books Inc., New York, 1998).

3. Alan Lightman, Einstein's Dreams (Random House, New York, 1993).